Sampler Programing Stations

Pick A Sampler Topic And Get Yourself Sorted!

    1. Welcome To NTSC/PAL

    1. Studio Sampler Allocation Tour More Simple Than It Looks

    2. Wild Roving Machine Room Studio Vlog

    3. Cold Winter Walking Source Sample Recording & Synthesis Session

    4. A Day In The Life of The Toronto ART | Music Scene

    5. Getting Re-Aquainted With Maschine MKI Synthesis

    6. Sony UVW-1800 Pre-Service Diagnosis

    7. Cassette Tape Evolution From The 80's - 2000's

    8. Outdoor Natural Rain Sample Gathering Session

    9. New Tiny 4-Track Studio Tour

    10. Computer Parts Build & Audio Interface Haul

    11. Studio Revision Cable Haul

    12. Sampler Rack Revisions Studio Vlog

    13. Studio Cable Routing - How This Place Is Wired Up!

    14. Outdoor Far Distance Sample Recording

    15. Studio Panel Refurb Finished & Room Maintenance Talk

    16. Finalizing The Studio Patchbay Cable Haul Vlog

    17. Testing The Range Of Your Sampler

    18. The Creative Use Of Digital Headroom In High End Samplers

    19. Overfeeding vs. Starving A Samplers A to D Converter

    20. Analog Compressors Gates & E-MU ESI4000

    21. Understanding & Using MIDI CC's

    22. What Are Lower Sample Rates Good For

    23. Warm & Fuzzy Analog Distortion - Cheap Secret Knowlege

    24. Just Some Talk About The New Patchbay Addition

    25. Patch Bays Mini Blog Part II.

    26. Compressor & Movement Techniques

    27. More PPQ Sequencer Experiments With 64T Quantizing

    28. Thoughts On The Stylistic Differences Between Boom Bap & Techno Music Sequencers

    29. Outdoor Sound Recording & Sampling Forest Vlog

    30. Marantz Tube Preamp Saturation Comparison - Studio Vlog

    31. Utility Studio Casual Vlog

    32. A Reason For Layering With Two Samplers

    1. Inception Looping On A Vintage Sampler

    2. Vintage Sampler Layer Fortification

    3. Sequential Sample Layering On The Ensoniq ASR-10

    4. ASR-10 LFO's Only Sampler Modulation

    5. Blending Filters On A Sampler (Stereo Or Mono)

    6. Native Waveshaping On The Ensoniq ASR-10

    7. ASR-10 Stereo Sample Positioning Via Layering

    8. The Carpenters SAW/DUST Drum Synthesis Demo Breakdown Featuring The Ensoniq ASR-10

    9. Creative Sampler Distortion With No Sample Rate Or Bit Depth Processing

    10. Blending Samples Rates (Sampler Explorations)

    11. The Mirages' Snappy Envelope Behaviour

    12. Vintage Sampler Arpeggiation Synthesis

    13. Ensoniq ASR-10 Complete Filters & Other Web News

    14. Exploring FM Synthesis on the Ensoniq ASR-10

    15. My Philosophy On Samplers Featuring The Ensoniq ASR-10

    16. Ensoniq ASR-10 Outdoor Sound Design Vlog

    17. Ensoniq ASR-10 Complete Filters Casual Studio Vlog

    18. Quick and Dirty Ensoniq ASR-10 Modulation Options With The Carpenters SAW-DUST Waveforms

    19. Studio Renovation Haul-Vlog & The Ensoinq Hexinverter Revelation

    20. Ensoniq EPS16+ - Waveboy Vocoder Demo

    21. Ensoniq EPS16+ Percussive Comparison

    22. A Completely Overlooked Feature On The Ensoniq EPS16 Sampler

    23. Waveboy Lo-Fi FX & The Ensoniq EPS16+ Demo

    24. Layered Envelopes & Alternative Amplitude Synthesis

    25. Stereo Filters With The Carpenters SAW-DUST & Some News

    26. Hidden Waveforms Samples OnThe Carpenters SAW-DUST Floppy Disk

    27. Varation Sample Blending Using Layers

    28. Repairing A Broken Button - Ensoniq EPS Classic

    29. ASR-X Sample Weardown & A Massive Kick Drum

    30. ASR-X Improves Wavetable Audio Translation Of ASR-10 - Expiriment

    31. ASR-X Secret Knowlege Silent Oscillator

    32. ASR-X Drums Sample Processing To Expirimental Sound Design Stuff

    33. Simple Basic Resampling On The Ensoniq ASR-X Sampler

    34. All 41 Of The Ensoniq ASR-X FX Algorithms

    35. Mirage & EPS16+ Double Feature

    36. Ensoniq Mirage Analog Resonant Filters On Display

    37. Ensoniq Mirage Sample Rates Comparison - Open Anti-Aliasing Filter

    38. Ensoniq Mirage Manual Introduction - 4 Why's For The Mirage in 2022

    39. Ensoniq Mirage Rackmount Installation & Patch Bay Diagram Talk

    40. The Ensoniq Mirage Sequencer & Multi-Samplling Discussion

    41. Why Do We Pitch Samples Down- Then Up Again on Old Samplers

    42. Roland TR-808 Drum Samples To Ensoniq Mirage Transfer Session - Copy

    43. My First Few Patches Ever Made On The Ensoniq ESQ-1

    44. ASR-X Transwaves Listening Session

    45. Waveshaping & Subtleties of The ASR-10

    1. Akai MPC 2000 Basic Drum Synthesis

    2. Sample Rate Quality On The Akai S612 Sampler

    3. S950 Sampler Minus The Analog Filter

    4. MPC 2500 Sample Rate Tape Processing Alterations

    5. First Time Using The Akai S20 Phrase Sampler

    6. Akai S950 Percussion Time Stretch Sound Designs

    7. What I Like About The Akai S950 Sampler

    8. The Advantages Of Filter Envelopes

    9. My Thoughts On What Makes MPCs So Sought After

    10. Boom Bap Theory XI - SP1200 Feel From An MPC Sequencer

    11. The Swing Of The Akai MPC 2500 Drum Machine Samplers

    12. The Tonal Quality Of The Akai S612 Digital Sampler

    13. No Input Akai S612 Synthesis

    14. The Quirks Of The Akai S612 Manual Splice Button

    15. Sampling Modular Via S612 Preamp Sound Design Session

    16. Sample Rate Degradation On The Akai S-950

    17. Akai S612 Preamp In Action.

    1. Features I LIke On The Roland S-760 Sampler

    2. S-760 Sampling Exploration - I's Amazingly Good!

    3. The VP-9000 Has Some Tricks In The Bag

    4. Super Sample - Featuring The Roland S-760 Digital Sampler

    1. E-mu ESI4000 Exploration Series Part One - Pitch Shift

    2. ESI 4000 Explorations Part 2 Transform Multiply

    3. E-mu ESI 4000 Explorations Series Part 3 Sample MIDI Dump From The SP1200

    4. ESI 4000 Explorations Pt.4 Sample Rate Conversion

    5. ESI 4000 Explorations Pt.5 Time Stretch (So Smooth)

    6. ESI 4000 Sampler Explorations Pt.6 Pan & Doppler

About this course

  • $68.00
  • 150 lessons
  • 44 hours of video content

Read Reviews On NTSC/PAL

Educational TV For Samplers

5 star rating

Introduction

Luis Fernando Gomez

Sick! Excited!

Sick! Excited!

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